22 May 2016
While many young British designers are known to focus on the avant-garde, the London-based Alice Archer, 31, is building a modern women’s wear business around a very traditional art: embroidery. But her intricate threadwork — which she applies to every dress, skirt and coat she designs — is more high-tech than her customers might imagine...
Read the New York Times article here.
Article by Hattie Crisell; photo by India Hobson.
04 May 2016
A cool feature available with IndieMade websites is the gallery. I've created one called Vintage Embroidery and it showcases completed projects that use my patterns. Many were made with the original stamped-for-embroidery linens that I created the patterns from. There are pillows I made for Primrose Design, including the Jumprope Cats one shown below, a sweet baby bib with a cat, and some blocks from the wild animals quilt I made for my friend Jenny's first child.
To celebrate the move I'm having a sale. During the month of May take 30% off any embroidery pattern by entering discount code 30MAY at checkout.
01 November 2012
I've been seeing a lot of these fair-trade made-in-Peru embroidered belts in catalogs this year. Sundance Catalog has snowflake designs; Uncommon Goods has florals. Hand-embroidered and pretty but, at $65 to $68 each, definitely out of my price range. They're really very simply constructed—a length of cotton webbing and a buckle—it's the embroidery that's making them so expensive. But hey, we know how to do that ourselves, don't we?
If you want to try something like this yourself, I'd use the lighter weight webbing (the heavyweight, like I use for my key fobs, will be difficult to pass a needle through), a heavier needle with a larger eye, and a thimble to protect your fingers. Sketch your basic design with white pencil—I don't think you need to get too detailed—freeform might yield some "happy accidents". Because you want a lot of impact, use all six strands of embroidery floss or, better yet, wool—the kind used for crewel embroidery. I think you can do most of the embroidery in chain stitch (single rows or several rows packed closely together) and French knots. I'm not sure how to do the grommets but there's probably a tool for attaching them. Or you could do a D-ring type belt and you wouldn't need them at all.
Some other things you could liven up with embroidery—add some flowers to a plain woolen hat or scarf or embellish a secondhand sweater with some flowers scattered across the front.
26 October 2012
Amanda S. wrote yesterday to tell me about an embroidery project she just completed. She received it from her mother one Christmas with a note saying that when she was done stitching it, her mother would finish quilting it. With a big smiley face on the bottom. She probably thought it would be a while before she saw it back. And it did sit in Amanda's to-do pile for a while because she didn't know how to do most of the stitches required.
Recently it made it's way to the top of the pile and she said to herself "I can do this." After stumbling across Stitch School on the internet and learning the stitches, she completed it in about a week. And took a picture (shown here) before sending it to her mother. Now it's buried in her to-do pile awaiting a rick rack border and backing fabric.
Some of the stitches she used are beading (a very cool way to do blackberries!), lazy daisy, french knots, feather stitch, and satin stitch. A big round of applause for Amanda—great job!
It's craft show season for me so I haven't been doing much embroidery myself. But winter is coming and, for me, that's the perfect time to curl up with a project or two. I'm easily bored so I usually work back and forth on a few things at once :)
05 August 2012
I first became aware of Susie Ghahremani's illustration work when I was an art director—I think she may have sent a postcard in hopes that I'd find an assignment for her in the magazine I worked for. I very much regret that that didn't happen because we might have become friends sooner than we did. We met again a few years later through her online business Boy Girl Party. She's an award-winning artist from San Diego, CA whose work combines joyful imagery with highly intricate hand-painted patterns. Her love of nature, music, and textiles come together in each painting and illustration, delivered with the detail and soul of a crafter. You can read more about her at boygirlparty.com.
So, why am I writing about an illustrator on a blog about needlework? Because she's going to be offering embroidery patterns based on some of her drawings, that's why. For now the very limited edition patterns are only available for purchase at her shows. And there's one coming up next weekend!
Susie's agreed to take a few minutes out of her busy schedule to answer a few questions for us about the show and the patterns, some of which you'll see illustrating this post.
Tell us about your upcoming show.
The show is titled "Clear Skies and Cloudy Days" and it runs from August 10th - September 2nd at Land Gallery in Portland, OR. It includes more than 100 of my latest works—paintings, drawings and mixed media such as cross-stitch.
I'll be flying up to Portland this week for the opening reception on Friday from 6-9 pm. Land Gallery, located in the historic Mississippi neighborhood, is run by the owners of the iconic indie shopping website buyolympia.com and features new, original artwork from a fantastic stable of upcoming and established independent artists.
(Land Gallery, 3925 N. Mississippi Ave., Portland, OR 97227 (503) 451-0689)
What inspired you to do embroidery patterns (a great idea, by the way)?
Thanks! Years ago, I used to host craft nights at my house with my girlfriends, and my friend Irene Stone (http://irenejoy.etsy.com) would always bring over her cross-stitch projects (based on incredible patterns she would make herself). Watching her work on them (and being the lucky recipient of some of her handiwork!), I thought to myself how it's a nearly extinct craft, and how I'd enjoy the irony of bringing extinct animals to life with that medium. I asked her if she'd want to collaborate on a series just for fun (my drawings, her stitching) and that's how it began! At first we only did a dodo bird, sabre toothed tiger and woolly mammoth (which are the first three patterns we're releasing) but now (two years later) we have more than 20 x-stitch-extinct animals in the works, ten of which Irene has stitched already.
After we collaborated on a few of the finished pieces, we decided it would be fun to share the patterns with others so they could reach a wider audience.
At the Portland show, I'll be showing all the drawings from this project and 10 of the finished cross-stitched pieces in addition to over 100 other paintings and drawings by me.
And the patterns are part of a kit; what’s included in that?
Basic instructions, an easy-to-follow color-based pattern printed in large format, neatly wound spools of the necessary embroidery floss, and a license for personal use of the pattern. Each sells for $14.
I first saw a picture of the dodo pattern on your Facebook page (and loved it so much that I knew I had to write about it). What are the other endangered animals?
The kits include just the Dodo, Sabre Toothed Tiger, and Woolly Mammoth. But the finished pieces include the Baiji Dolphin (two versions), Boobook Owl, T-Rex, Thylacine, Great Auk, and Short Faced Bear.
People can pick up the EXTREMELY limited edition patterns at the show or by contacting the gallery directly; the drawings and the finished cross stitched pieces will also be for sale.
Thanks, Susie! She tells me that she’d like to eventually offer the patterns for sale on her website and has promised to let me know so I can pass along that info to you. For now, you’ll need to get yourself to this show if you’re in driving distance of Portland. I so wish it wasn't a week-long road trip for me :)
22 May 2012
I found this sweet peach-colored linen towel recently at an antique mall. The bottom edge features two dogs (Scotties, maybe) embroidered in brown and white using very small cross stitches—almost, but not quite, petit point.
You can probably figure out the design yourself—it's pretty simple—but I made it into a charted pattern for you. Click through to the Flickr page for a larger version.
20 May 2012
Also shown will be the original Redwork Coverlet (circa 1895) as well as a reproduction sewn by the Lehigh Valley chapter of the EGA, that will be raffled off on the last day of the exhibit. Both versions feature 64 redwork blocks embellished with red feather stitching.
Accompanying these main items will be needlework featuring landscape and nature themes from the museum's permanent collection, including 18th and 19th century textiles, embroidered kimonos, and Victorian era silks and towels.
This is just a few hours drive for me so I'm going to try to make it there some time in the next couple of months. I'll report back!
Allentown Art Museum of the Lehigh Valley, 31 North 5th Street, Allentown, PA 18101 (610) 432-4333. Hours are Tuesday-Saturday 11-5, Sunday 12-5. Admission $12